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Computer Music Journal Volume 41 Number 3 Fall 2017

computerjournal
Computer Music Journal Volume 41 Number 3 Fall 2017
https://muse.jhu.edu/issue/37273
We begin this issue’s articles with an interview by a former interviewee. Edmund Campion, who was featured in our Winter 2004 issue, converses here with noted composer Kaija Saariaho and with her spouse, the multimedia artist and composer Jean-Baptiste Barrière. The interviewees start by discussing recent work, such as Saariaho’s 2015 opera Only the Sound Remains. She states that in earlier works the electronics were mostly an extension of the orchestration, but now the electronic part has assumed a more important role. When writing for electronics, Saariaho starts with her aural imagination, then with her technical collaborator she finds a means to realize that vision; she doesn’t write with a tool’s constraints in mind. Computer Music Journal Volume 41 Number 3 Fall 2017 weiterlesen

club57

Club 57: Film, Performance, and Art


Club 57: Film, Performance, and Art in the East Village, 1978–1983
Through April 1, 2018
The Museum of Modern Art
The East Village of the 1970s and 1980s continues to thrive in the global public’s imagination. Located in the basement of a Polish Church at 57 St. Marks Place, Club 57 (1978–83) began as a no-budget venue for music and film exhibitions, and quickly took pride of place in a constellation of countercultural venues in downtown New York fueled by low rents, the Reagan presidency, and the desire to experiment with new modes of art, performance, fashion, music, and exhibition. A center of creative activity in the East Village, Club 57 is said to have influenced virtually every club that came in its wake. Club 57: Film, Performance, and Art weiterlesen

Popular Music and Society Volume 40 Issue 5

Popular Music and Society Volume 40 Issue 5 December 2017
http://www.tandfonline.com/toc/rpms20/40/5
PMS Special Edition: Popular Music and Labor
Popular Music and Society , founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms „popular“ and „society“ are broadly defined to accommodate a wide range of articles on the subject. The journal focuses especially on music as a manifestation of popular culture. Popular Music and Society Volume 40 Issue 5 weiterlesen

Contemporary Music Review Volume 36 Issue 1-2

Contemporary Music Review Volume 36 Issue 1-2 February–April 2017

http://www.tandfonline.com/toc/gcmr20/36/1-2
Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed. Contemporary Music Review Volume 36 Issue 1-2 weiterlesen