CFP Wounded Galaxies 1968
1968: Beneath the Paving Stones, the Beach
Festival + Symposium
Feb 8-10, 2018
Call for Papers
The Sixties were a turbulent period, characterized by major revolutions in scholarship, politics, culture and the arts. Indiana University, in conjunction with The Burroughs Century, plans an academic symposium welcoming scholars, archivists, filmmakers, and others interested in exploring the intellectual and aesthetic legacy of 1968, during its 50th anniversary year.
The conference will be held on the beautiful Bloomington, Indiana campus and will be hosted by Indiana University’s Media School; the Indiana University Libraries (including the Lilly Library and the IU Libraries Moving Image Archive); and Indiana University Cinema, which has earned an international reputation for the high quality of its facilities and programming.
Accompanying the symposium will be a series of films and an exhibition featuring rare and unique items from the IU Library collection. Renowned scholars such as Greil Marcus McKenzie Wark, and, possibly, Penelope Rosemont are expected to give talks, introduce films, and appear in Q&A sessions following screenings.
In addition, we are planning an art exhibit, as well as series of experimental music performances and spoken word presentations, in keeping with the larger theme of radical aesthetics. We plan to publish the conference proceedings.
Interested participants are invited to submit paper proposals on any aspect of the international history and cultural legacy of 1968. Papers need not be limited to any particular critical, theoretical, historical, or political subject or method. We hope to receive proposals that deal with previously unexplored issues, but we are also interested in proposals that offer fresh approaches to much-discussed work. As the symposium title suggests, we are using the Situationists as a point of departure and particularly welcome presentations that consider the revolutionary potential of the Everyday—in both historical and contemporary situations.
But we are happy to consider any proposals that address the historical legacy of 1968, and welcome submissions that attempt to trace the legacy of 68 in contemporary art and culture.
Possible topics include but are not limited to:
history and historiography of 1968;
the post-1968 generation and terrorism;
post ’68 science fiction;
anthropology and the Situationists;
architecture after ’68;
counter/sub-cultures after ’68;
literature and literary theory;
The Annales school and radical shifts in historiography
Marshall McLuhan and the electronic revolution
The history and legacy of the Black Panther Party
The International Student Movement(s)
Revolution and the University
Prague Spring – experimental & avant-garde art, film, literature & music made during this period of freedom; the avant-garde going underground during Normalization; lingering impacts of Prague Spring on experimental & avant-garde art/music/lit/etc.
Surrealisms outside France – the internationalization of surrealism that happened in the late-60s onward (U.S., African surrealisms, Poland’s “Orange Alternative”, etc.)
Neo-Dada and Fluxus
French New Wave cinema and its response to the events of Mai-
East vs. West perspectives: pro-socialist avant-gardes in the West Europe versus anti-socialist avant-gardes in East Europe
Proposals should be limited to 300 words in length and consist of a brief description of the paper’s theme or focus, plus a one-page vita. Proposals may be submitted for individual papers or for sessions featuring two or three panelists. Proposals for panels should be submitted as a group by the organizer, along with a short explanation of the unifying theme. In addition, each panel proposal should consist of individual paper descriptions (limited to 300 words in length), names of panelists and their vitae.
Please email your proposals to Joan Hawkins firstname.lastname@example.org, by July 1, 2017. The Symposium Program Committee will evaluate all submissions and notify all candidates of the results by Aug 1, 2017. . We look forward to your proposals, and to celebrating/reevaluating the legacy of international political and aesthetic upheaval. For more information, please visit http://www.woundedgalaxiesfest.com/?p=311.
History and Mission
The Burroughs Century, Ltd. is a radical arts organization devoted to making Bloomington, Indiana the Midwest destination for those who love and appreciate experimental art, literature, media, and performance. We exist for fans of aggressive, experimental music, for creators of outsider art, and for Midwest weirdos.
Everyone on our Board lives here in Bloomington, and we have the right and the responsibility to make this the kind of town where we want to live. This means contributing to the inclusive atmosphere in Bloomington, encouraging fruitful collaborations between our community and Indiana University, and introducing experimental film, music, and performance artists to a wider public.
Through our annual festival – Wounded Galaxies: Festival of Experimental Media – and through smaller events throughout the year, we advocate for a politics of collage – emphasizing and articulating the subversive potentials of montage, remixes, appropriations, cutups and rearrangements of all kinds.
Wounded Galaxies is a curated festival, committed to showcasing unique artists from the Midwest and around the world. We envision a world in which artists can sustain a career pushing the boundaries of media forms, and as such, all artists performing in our festival are paid for their work.
We began as a celebration of William S. Burroughs’ 100th birthday in February 2014. We had such a good time with that festival and received so much support, we decided to try it again. Burroughs is our patron saint. We hope you’ll join us for the journey.
EXTERMINATE ALL RATIONAL THOUGHT.
CFP Wounded Galaxies 1968