Right after Happy Colors’ EP Twerka Dominicana blew everyone’s mind including Diplo, Dillon Francis and all the Moombah-Bass community, Latino Resiste entered a path in terms of bringing rising stars to our little platform. Happily we got to also debut Rathero, Bacondo, Godwonder, White Gangster, Billion Dollars, Alpire, Medina, and lots more..
But at the peak of that sick movement one dude was elusive for the longest time.
We became immediate fans of his basic, yet powerful sound and wild basslines.
CHCKN has been Los Angeles’ underground moombahtonista who slays it every single time. CHCKN-POUL weiterlesen →
Club 57: Film, Performance, and Art in the East Village, 1978–1983
Through April 1, 2018
The Museum of Modern Art
The East Village of the 1970s and 1980s continues to thrive in the global public’s imagination. Located in the basement of a Polish Church at 57 St. Marks Place, Club 57 (1978–83) began as a no-budget venue for music and film exhibitions, and quickly took pride of place in a constellation of countercultural venues in downtown New York fueled by low rents, the Reagan presidency, and the desire to experiment with new modes of art, performance, fashion, music, and exhibition. A center of creative activity in the East Village, Club 57 is said to have influenced virtually every club that came in its wake. Club 57: Film, Performance, and Art weiterlesen →
FRAXIL and BXRCENXS j
Mexican Producers FRAXIL and BXRCENXS join Latino Resiste’s Mal Dicen family with a bombastic track called USTED QUIERE (que le den)
A pure moombahton jam that sets any dancefloor on fire.
The duo has teamed with all their Mexican power and the result is a house-reggaeton fusion bomb that combined with the Mal Dicen signature sound FRAXIL and BXRCENXS USTED QUIERE (que le den) weiterlesen →