Archiv der Kategorie: Call For Papers

CFP (articles): Writing <–> Technology. Composers 1973-1983


Call for proposals
Writing Technology. Composers 1973-1983
Writing < –> Technology
Composers 1973-1983
Editors: Giacomo Albert, Andrea Valle
The musicological journal «Nuove Musiche» invites authors to submit a proposal for the forthcoming issue, No. 5 (2018). The topic of the issue will be living composers’ relation with technology and writing. Such a relationship must be understood in the widest sense, both as technology for writing and as writing for technology.
The aim of the issue is to provide a phenomenology of music practices in relation to the two main themes indicated by the title. This requires an in-depth scrutiny of some features of musical outputs created by some of the most prominent composers born between 1973 and 1983. The chosen time range defines a generation that: CFP (articles): Writing < –> Technology. Composers 1973-1983 weiterlesen

Institutionalization in Music History

Inside, Outside, and in Between: Institutionalization in Music History. Fifth Sibelius Academy Symposium on Music History.

June 6–8, 2018

Proposal deadline: September 30, 2017

Conference web site URL: https://sites.uniarts.fi/web/inst2018/home
Conference venue: Music Centre Helsinki, Finland
Conference theme: The role of institutions and the institutional process in music history.
The fifth Sibelius Academy symposium on music history focuses on issues relating to the cultural control and cultural norms that have been—and still are—established by musical institutions. Institutionalization in Music History weiterlesen

Madieval_Colloqium

CALL FOR PAPERS LAW AND (DIS)ORDER

LAW AND (DIS)ORDER
THE FORTY-FOURTH ANNUAL SEWANEE MEDIEVAL COLLOQUIUM

April 13-14, 2018
medievalcolloquium.sewanee.edu
The University of the South, Sewanee, TN

CALL FOR PAPERS
DEADLINE FOR SUBMISSION: 26 OCTOBER 2017

The Sewanee Medieval Colloquium invites papers exploring aspects of law, order, disorder and resistance in all aspects of medieval cultures. This includes legal codes, social order, orthodoxy and heterodoxy, poetic or artistic form, gender construction, racial divisions, scientific and philosophical order, the history of popular rebellion, and other ways of conceptualizing our theme. CALL FOR PAPERS LAW AND (DIS)ORDER weiterlesen

convocatoria

The Mexican Musical Universe Between Centenaries

International Conference „From New Spain to Mexico: The Mexican Musical Universe Between Centenaries(1517-1917)”
CFP deadline: 3 September 2017
Conference dates: 4-5 December 2017
Website: http://www.sedem.es/es/actualidad/noticia.asp?id=173
Venue: International University of Andalusia, “Antonio Machado” Campus in Baeza, Jaen (Spain)
In 1917, the Political Constitution of the United Mexican States—still in force today—was promulgated. That year also witnessed the publication of the first history of music in Mexico: El arte musical en México by Alba Herrera y Ogazón. 1917 is, therefore, not only the starting point of a new Mexican constitutionalism but also that of the nascent historiography of Mexican music. Moreover, it is a point of arrival that allows us to pose, in contrast to traditional narratives, a retrospective view of Mexican music from that time back to 1517, when the expedition of the Andalusian conquistador Francisco Hernández de Córdoba reached the coast of the Yucatan Peninsula. The Mexican Musical Universe Between Centenaries weiterlesen